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Film Crew Training
We are collaborating with the Center for Film Studies (CFS) to help facilitate workforce retraining for the emerging Michigan motion picture industry. Areas of retraining include production assistant, general grip/lighting, electrical, set carpentry/construction, stage/set production, and introduction to wardrobe. See the complete list of course offerings further down this page. To sign-up for a course or to request additional information click here .
FilmEmerge Education Foundation
FilmEmerge.org is a 501(c)3, Michigan based non-profit organization. The FilmEmerge Foundation provides scholarships to deserving youth and retraining opportunities for displaced workers interested in the art of film documentary, narrative filmmaking and positions in major motion picture productions.
The Foundation works in conjunction with local educational institutions and administrators, film schools, and experienced professional instructors from the film industry to facilitate and award scholarships to young people ages 13 to 18 with limited means, allowing them to participate in the film industry's growing creative and technical platforms being realized in Michigan.
The FilmEmerge Foundation is focused on assisting Michigan's unemployed workforce, and interested youth in the art of film making and production. FilmEmerge Foundation will focus on educating and enlightening a climate for a meaningful economic and social impact to Michigan's merging film industry.
FilmEmerge Foundation or FilmEmerge Education Inquiries:
email - cploughman@filmemerge.com
Film Crew Training Course Description
ART DEPARTMENT
Prepare for entry-level, on-set opportunities in film production. You will examine and experience the many ways that the production assistant supports the creative filmmaking process. Special emphasis is placed on etiquette, terminology, and typical tasks. Additional focus is placed on maximizing previous job skills, and utilizing them in the PA field of work.
Learn the role of molding synthetic materials to create all manner of props; from harmless shattering beer bottles to four-pound manhole covers. This course will not only cover mold-making techniques, but also thoroughly examine the various materials; their properties, and their costs to determine the best solutions for unique circumstances.
Understand the art and skill of makeup application as it applies to film and TV. This hands-on course focuses on professional conduct and expectations, along with application technique, reinforced through instructor demonstration. Topics include makeup for high definition, makeup through the decades, neutral definition, the subtlety of color, the art of blending, proper tools of application, and much more.
This course builds on the principles covered in the Basic Makeup course, with emphasis on instructor demonstrations, and hands-on practice. Techniques for creating the illusion of injuries and aging effects are covered, as is the use of castings, foam, latex, and molds. (Prerequisite: Basic Makeup for Film & TV (Course #P130.C1) or prior Makeup experience.)
Translate your basic carpentry skills into an opportunity to work behind the scenes in film or TV. Movie magic requires unique materials, construction, and finishing skills, all of which are explored in this course. You'll get hands on experience as you participate in the construction of live sets to be used in actual film, TV, and stage projects, using film-industry standards and work rules. (Prerequisite: Carpentry Experience. Students must supply their own basic carpentry tools. Table & rotary saws, nail guns and compressors are supplied by Center For Film Studies.)
GRIP DEPARTMENT
The course examines everything you need to know to be a contributing, entry-level grip on a film or TV set. You will learn to perform the duties of a grip using real world film industry standards, and become thoroughly familiar with all of the rules, terminology, and equipment involved.
Our second level grip class builds on the General Grip class with more in-depth coverage of proper equipment assembly and use. You will also gain experience with overheads, dolly track and jib arms. Special emphasis is placed on hands-on experience consistent with film industry standards and work rules. (Prerequisites: General Grip & Electrical #P111.C1)
The course focuses on the role of the film electrician. You will become familiar with the electrical equipment, and execution of lighting techniques used on the set. Students deal with tapping into power, generator use, power distribution and load balancing, as well as the usage of Tungsten, Xenon, HMI and much more. Special emphasis is placed on hands-on experience consistent with film-industry standards, job roles and duties, and work rules. Safe and proper operation procedures are stressed, as well as finesse techniques to achieve the proper "look." (Prerequisite: General Grip & Electrical #P111.C1, Advanced Grip #P112.C1 and Electrical Experience)
CAMERA & AUDIO DEPARTMENT
This course serves as a general introduction to the film set as a work place. You will learn how to be a useful beginning technician according to the standards and practices of the modern film industry. You will be a 'technical' PA, eligible to work with the Camera or Audio departments on a film set. This course is intended to serve as a prerequisite to the Camera Assistant and Location Audio Courses.
In this course the student will learn about the Camera Department and working on the set as part of the Camera Crew. Students will learn the basics of
cinematography, and the duties of each of the positions in the department. This will culminate in preparation for an entry level position as a Loader or 2nd Assistant, with the knowledge necessary to move up the ladder to 1st Camera Assistant or Camera Operator. (Prerequisite: Camera & Audio 101)
This course examines the tools and processes for working on a film set as an audio assistant. Advanced mixing techniques and capabilities can take years of
experience and education to master. However, entering a production as a second audio assistant/boom operator, or as a third assistant cable puller is a very viable alternative for gaining the exposure and experience necessary to grow and evolve into a full-blown location audio mixer. You will become familiar
with the roles, duties, and protocols on a film set, and be introduced to the audio equipment, procedures, and techniques for working on any production; including everything from simple documentary films, to full blown feature films. (Prerequisite: Camera and Audio 101, camera assistant)
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